Suddenly liberals are crying again! POLITICS RI judge won't stop Trump order banning 'gender ideology' in arts - for now. Portrait of Katie MulvaneyKatie Mulvaney Providence Journal PROVIDENCE – A federal judge declined to issue an order barring the Trump administration from requiring that grant applicants agree not to promote "gender ideology" in their work, but warned that the government’s directive likely violated the First Amendment, according to the state affiliate of the American Civil Liberties Union. Senior U.S. District Judge William E. Smith last week denied a motion for a preliminary injunction by LGBTQ arts organizations – including Rhode Island Latino Arts, National Queer Theater, The Theater Offensive, and the Theatre Communications Group – that apply for National Endowment for the Arts funding, but were likely to become ineligible in light of restrictions on the promotion of “gender ideology.” Smith found that the NEA’s Feb. 6 decision to make any project that “promotes” what the government deems to be “gender ideology” ineligible for funds likely violated the First Amendment and exceeded the government’s statutory authority. But, he said, that because the NEA is currently in the process of determining whether to reimpose that ban, the court could not get in the way of the agency’s decision-making process. Cast members rehearse "La Luz Verde" – El Teatro's performance of "The Great Gatsby" in English and Spanish – performed at Rhode Island Latino Arts in Central Falls in 2023. “The bottom line is this: Although Plaintiffs can show a substantial likelihood of success on the merits of their (not moot) eligibility-bar claim, the balance of the equities and public interest weigh heavily against preliminary injunctive relief, at this time,” Smith said. He cautioned that the groups could renew their complaint if the administration reimposes the ban. “We shouldn’t need to negotiate for the right to support and uplift all artists – including transgender and nonbinary artists,” Marta V. Martinez, executive director of Rhode Island Latino Arts, said in a statement. “This order fails to bring us the clarity we need to apply for funds for projects that allow Latinx artists, especially those who are queer, trans, or nonbinary, to show up as their whole selves without fear of erasure of censorship. Artistic freedom and equal dignity are fundamental to a just and vibrant society and despite today’s ruling, we will continue to create space for artists to tell their truths, challenge norms, and build bridges through their work.” 'We are committed to continuing this case, defending the arts' Smith reminded applicants that they “now ... have this court’s preliminary review of the merits,” suggesting that the reimposition of the eligibility bar would be unlawful. The NEA is supposed to announce how they are planning to implement the executive order on April 30; however, grant applications were due on April 7 and may be subject to as-yet-undecided rules, including the funding bar, according to the ACLU. “This opinion makes clear that the NEA cannot lawfully reimpose its viewpoint-based eligibility bar,” Vera Eidelman, a senior lawyer at the ACLU, said in a statement. “Though it falls short of the relief we were seeking, we are hopeful that artists of all views and backgrounds will remain eligible for the support and recognition they deserve in this funding cycle and beyond.” Get the Susan Page newsletter in your inbox. Get the latest story from Susan Page right in your inbox. Delivery: Varies Your Email Steven Brown, executive director of the ACLU of Rhode Island, faulted the decision for leaving applicants “in a state of censorial limbo.” “We are committed to continuing this case, defending the arts, and resisting attempts to stifle speech simply because the current administration does not like or agree with it,” Brown said. 'Not the result we hoped for' Four artistic groups from Rhode Island, Boston and New York sued the NEA last month arguing its new certification requirement violates the First Amendment by “singling out a particular viewpoint for a ban on federal arts funding” and is unconstitutionally vague by failing to adequately define what it means to “promote gender ideology.” The ACLU had asked for a preliminary injunction ahead of the grant application deadline. The suit argues that the certification requirement and funding prohibition violate the Administrative Procedure Act, the First Amendment, and the Fifth Amendment. “This is not the result we hoped for, but we remain hopeful that the NEA will be unable to reimpose their restrictions,” Rose Oser, producing director of National Queer Theater, said. “This is just one of the administration’s many attempts to silence trans voices, but we will keep creating work that aligns with our values, and we will keep fighting on every front to defend trans rights and artistic freedom.”
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Nobody is telling you how FUCKED every military on Earth just became. Everyone is watching the war. The missiles flying. The explosions. Nobody is talking about the fact that Israel just made missiles OBSOLETE. The Iron Beam. A 100-kilowatt laser. Deployed in LIVE COMBAT for the first time in human history. Not a test. Not a prototype. Real war. Real Iranian missiles. Destroyed in mid-air. By a beam of light. → Cost per Iron Dome interceptor: $50,000 → Cost per Iron Beam shot: $2 → That is not a typo. Two. Dollars. Iran spent $20,000 building a drone. Israel deleted it with $2 of electricity. Iran fires 100 drones in a swarm attack. Cost to Iran: $2,000,000. Cost to Israel: $200. 💀 Here's what nobody is explaining to you: This doesn't just change THIS war. This changes ALL war. Forever. → Every missile Iran has ever built is now worthless scrap metal → Russia's entire missile stockpile? Obsolete overnight. → China's "carrier killer" ballistic missiles? The ones they spent $50,000,000,000 developing? Junk. → North Korea's only leverage — its missile program? Gone. → The Iron Beam never runs out of ammo. It runs on ELECTRICITY. → It fires at the speed of light. Nothing can dodge it. → It's silent. No explosion. The missile just vanishes. → Every country that invested in missiles just watched decades of military spending become worthless in real time. The US spent $200,000,000,000 on missile defense over 40 years. Israel just replaced it with a laser that costs less than a coffee per shot. This is not an upgrade. This is the end of an era. The age of missiles just died on live television and nobody is talking about it. Bookmark this. You're watching the biggest shift in military history since the atomic bomb.
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When people lose a political battle do they historicaly turn into angry yelling people as to deal with the loss Searching the web 48 results Yes, historically and psychologically, people (and groups) who lose a major political battle often respond with heightened anger, vocal outrage, yelling/protesting, resentment, and sometimes radicalization. This isn't universal—some accept defeat gracefully and move on—but it's a very common pattern across time, cultures, and ideologies. It's not just "sore losing"; it's a mix of emotional coping, group dynamics, and strategic behavior.Why this happensPsychological mechanisms: Political loss threatens identity, status, and worldview. Anger serves as a defense— it masks grief, fear, or helplessness, provides a sense of agency ("I'm fighting back!"), and bonds the "losers" together against the "winners." Resentment can feel empowering; it turns passive defeat into active narrative of injustice or betrayal. Scapegoating opponents (or "elites," "traitors," etc.) is classic. Contempt and rage can even be enjoyable in the short term as they elevate the self above the "enemy." Group polarization: In defeat, factions often radicalize. Moderates get sidelined, while louder, angrier voices dominate the conversation. This creates echo chambers where outrage is rewarded with attention, loyalty, and status within the group. "Radical loser" dynamic: Some thinkers describe how those who feel like societal or political "losers" adopt aggression as identity—lashing out to reclaim dignity or visibility. This shows up in both left- and right-wing movements after defeats. Historical examplesAncient & early modern: After military or political defeats (e.g., Athens condemning leaders like Phocion post-losses), losers often turned to bitter recriminations, purges, or mob anger. Grievance-fueled rebellions like Bacon's Rebellion (1676 Virginia) started with angry colonists feeling unprotected and ignored by authorities—leading to violence and burning the capital. U.S. history: The 1790s were full of rage—Whiskey Rebellion mobs tarred-and-feathered tax collectors; partisan newspapers accused opponents of betraying the Revolution. Post-Civil War, defeated Southern ex-Confederates channeled anger into Democratic Party resurgence, voter suppression, and Jim Crow. William Jennings Bryan's 1896 loss (and the Populist movement's collapse) saw agrarian "losers" fuel fiery rhetoric against "eastern elites," influencing later movements. 20th-century labor strikes or civil rights setbacks often involved angry protests turning confrontational. Recent patterns: Losers of elections frequently enter a "wilderness" phase of internal anger and finger-pointing. Examples include post-2016 progressive/Democratic infighting (some turning to strident resistance or identity-focused outrage), or post-2020 Trump supporters embracing "stolen election" narratives that fueled protests and threats. On the other side, losses have led to accusations of fascism or betrayal, with vocal media and street anger. Both sides show extremists using more negative, angry language than moderates. This pattern appears across the spectrum—left after economic/globalization "losses," right after cultural or foreign policy shifts, populists feeling like "globalization losers," etc. Anger often drives participation (protests, voting, organizing) but can also lead to violence, conspiracy thinking, or long-term bitterness if unresolved.Not always "yelling" foreverMany groups eventually adapt: they regroup, moderate, learn lessons, or win future battles. The U.S. survived the angry 1790s and became a stable nation. Populist energy from 1890s "losers" reshaped parties without destroying democracy. But unchecked, it can deepen polarization, erode trust, or spawn extremism.In short, yes—turning to loud, angry expressions is a frequent historical response to political loss. It helps process the pain and rally the faithful, but it risks becoming performative or destructive if it replaces constructive strategy. Humans are tribal; defeat stings, and yelling is one way we cope and signal we're not done fighting. The healthier paths (reflection, adaptation, bridge-building) exist but are harder in polarized times.
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