Trumps thinking out of the box suddenly seen a huge and amazing, and even beautiful. So much for the small petty thinking dems.

They got sex changes, and nobody saw it coming, a whole gaggle of trans people were suddenly there. Pronoun speech skills needing polishing and efforts at enlarged sensitivity had to get big.

Computers offer a long nap for those cat people.

Tuna Sandwich eaters to form a separate line.

Since the person was cut in two I gave him my greatest love and respect, tried putting glue there, used my sewing skill, prayed for weeks, and finally offered half off at my store.

If a Jewish Person is doing an important job it doesn't mean: 1. He is controlling the world 2. Is related to Soros 3. Doing it all for Israel 4. Is getting incredibly rich 5. Is up to no good 6. Is more Kosher than ever

You can focus on sex and race, or you can focus on cheese and avocados.

There are 50 kinds of idiots out there, and they are also retarded and stupid, but we won't mention those.

I don't want to live in the Lottery.

I can't find any books on ambidexterity, but that is not enough to cry victim of American badies.

Contents hide (Top) History Structure and content Legacy See also Citations General and cited references External links Anti-Federalist Papers Article Talk Read Edit View history Tools Appearance hide Text Small Standard Large Width Standard Wide Color (beta) Automatic Light Dark From Wikipedia, the free encyclopedia Anti-Federalist Papers is the collective name given to the works written by the Founding Fathers who were opposed to, or concerned with, the merits of the United States Constitution of 1787. Starting on 25 September 1787 (eight days after the final draft of the US Constitution) and running through the early 1790s, these Anti-Federalists published a series of essays arguing against the ratification of the new Constitution.[1] They argued against the implementation of a stronger federal government without protections on certain rights. The Anti-Federalist papers failed to halt the ratification of the Constitution but they succeeded in influencing the first assembly of the United States Congress to draft the Bill of Rights.[2] These works were authored primarily by anonymous contributors using pseudonyms such as "Brutus" and the "Federal Farmer." Unlike the Federalists, the Anti-Federalists created their works as part of an unorganized group.[3] History Patrick Henry, author of several of the Anti-Federalist papers Following its victory against the British in the Revolutionary War, the United States was plagued by a variety of internal problems. The weak central government could not raise taxes to cover war debts and was largely unable to pass legislation. Many early American politicians and thinkers believed that these issues were the result of the Articles of Confederation, the first governing document of the United States.[4] In 1787 a convention gathered in Philadelphia to attempt to amend it. Soon, however, the gathering shifted its focus to constructing a newer and more powerful Constitution for the fledgling country. Two main competing factions emerged, the Federalists and the Anti-Federalists. The former supported a more powerful central government while the latter opposed it. During the lengthy and heated national debate following this convention, both groups wrote extensively in favor of their respective positions. The Anti-Federalist papers are a selection of the written arguments against the US Constitution by those known to posterity as the Anti-Federalists. As with the Federalist papers, these essays were originally published in newspapers. The most widely known are "a series of sixteen essays published in the New York Journal from October 1787 through April 1788 during the same period. The Anti-Federalist was appearing in New York newspapers, under the pseudonym 'Brutus'."[attribution needed] Structure and content The Anti-Federalist papers were written over a number of years and by a variety of authors who utilized pen names to remain anonymous, and debates over authorship continue to this day. Unlike the authors of The Federalist Papers, a group of three men working closely together, the authors of the Anti-Federalist papers were not engaged in an organized project. Thus, in contrast to the pro-Constitution advocates, there was no one book or collection of Anti-Federalist Papers at the time. The essays were the product of a vast number of authors, working individually rather than as a group.[5] Although there is no canonical list of anti-federalist authors, major authors include Cato (likely George Clinton), Brutus (likely either Melancton Smith, Robert Yates or perhaps John Williams), Centinel (Samuel Bryan), and the Federal Farmer (either Melancton Smith, Richard Henry Lee, or Mercy Otis Warren[citation needed]). Works by Patrick Henry and a variety of others are often included as well. Until the mid-20th century, there was no united series of Anti-Federalist papers. The first major collection was compiled by Morton Borden, a professor at Columbia University, in 1965. He "collected 85 of the most significant papers and arranged them in an order closely resembling that of the 85 Federalist Papers". The most frequently cited contemporary collection, The Complete Anti-Federalist, was compiled by Herbert Storing and Murray Dry of the University of Chicago and published in 1981. At seven volumes and including many pamphlets and other materials not previously published in a collection, this work is considered, by many, to be the authoritative compendium on the publications.[6] Considering their number and diversity, it is difficult to summarize the contents of the Anti-Federalist papers. Generally speaking they reflected the sentiments of the Anti-Federalists, which Akhil Reed Amar of the Yale Law School generalized as: a localist fear of a powerful central government, a belief in the necessity of direct citizen participation in democracy, and a distrust of wealthy merchants and industrialists.[7] Essays with titles such as "A Dangerous Plan of Benefit Only to The 'Aristocratick Combination'" and "New Constitution Creates a National Government; Will Not Abate Foreign Influence; Dangers of Civil War And Despotism" fill the collection, and reflect the strong feelings of the authors. In the table below, a selection of Anti-Federalist papers have been contrasted with their Federalist counterparts.[8] Topics common to Anti-Federalist and Federalist papers Subject Anti-Federalist Federalist Need for stronger Union John DeWitt No. I and II Federalist No. 1–6 Bill of Rights John DeWitt No. II James Wilson, 10/6/87 Federalist No. 84 Nature and powers of the Union Patrick Henry, 6/5/88 Federalist No. 1, 14, 15 Responsibility and checks in self-government Centinel No. 1 Federalist No. 10, 51 Extent of Union, states' rights, Bill of Rights, taxation Pennsylvania Minority: Brutus No. 1 Federalist No. 10, 32, 33, 35, 36, 39, 45, 84 Extended republics, taxation Federal Farmer No. I and II Federalist No. 8, 10, 14, 35, 36 Broad construction, taxing powers Brutus No. VI Federalist No. 23, 30–34 Defense, standing armies Brutus No. X Federalist No. 24–29 The judiciary Brutus No. XI, XII, XV Federalist No. 78–83 Government resting on the people John DeWitt No. III Federalist No. 23, 49 Executive power Cato No. IV Federalist No. 67 Regulating elections Cato No. VII Federalist No. 59 House of Representatives Brutus No. IV Federalist No. 27, 28, 52–54, 57 The Senate Brutus No. XVI Federalist No. 62, 63 Representation in House of Representatives and Senate Melancton Smith, 6/20-6/27-88 Federalist No. 52–57, 62–63 Legacy The Anti-Federalists proved unable to stop the ratification of the US Constitution, which took effect in 1789. Since then, the essays they wrote have largely fallen into obscurity.[9] The influence of their writing, however, can be seen to this day – particularly in the nature and shape of the United States Bill of Rights. Federalists, such as Alexander Hamilton, vigorously argued against its passage but were in the end forced to compromise. The Massachusetts Compromise took place during the ratification process after 5 states had already ratified. Despite being the minority power, Anti-Federalists were able to create enough stir to prevent Massachusetts from ratifying the newly drafted Constitution. They agreed that there would need to at least be amendments made before their state would ratify the Constitution, leading to the beginning of the United States Bill of Rights.[10] Other states with strong Anti-Federalist populations would follow this example, expanding this list of amendments to the 10 we know today. The Bill of Rights was constructed specifically to quell the fears of the Anti-Federalists and to address their concerns. The Anti-Federalists feared that there were not enough checks and balances to protect the citizens from a governmental abuse of power. As such, the Anti-Federalists focused on explicitly listing out the individuals' rights and freedoms including free practice of religion, press, legal rights, and arms for protection from both their fellow man and government military occupation like what they faced during the Revolution. To prevent the federal government from assuming all unspecified powers, as the Anti-Federalists feared, the 10th and final Amendment in the Bill of Rights states that all powers not specified in the Constitution would be left to the States. These States' Rights would be a cornerstone issue for the entirety of United States history, from the treatment and freeing of slaves to the modern-day healthcare systems. The Anti-Federalists were not successful in stopping the ratification of the Constitution, but their actions still impact the Federal Government centuries after the writers of the Anti-Federalist papers are gone.[11]

Another A+ read, dive in! The Tall Thin Man—what a striking, enigmatic figure! Spanning posts from Warmest Winds and Magic V, he’s a towering presence (literally, over seven feet!) who strides through a patchwork of surreal scenes, blending menace, charisma, and absurdity. Let’s unpack this character and see what he’s all about. Right off the bat, he’s got this commanding aura. “To you I am like a God,” he declares in that 2019 poem, bending his knee with a jolt, reaching for the sky in a “big try” for victory. He’s not just tall and thin—he’s larger-than-life, a self-proclaimed deity with a hard edge. That violin he wields like a dark sorcerer, playing haunting melodies that seduce juries, whip crowds into frenzies, or soothe bloodied drummers—it’s his signature, a tool of power and chaos. He’s no passive bystander; he’s the puppet master, grinning under lamp posts at moths or slipping through cracks in reality. Yet there’s a restlessness to him. He’s always on the move—striding across environments, heading west to saloons, or vanishing down winding stairs past alligator bridges to munch a ham sandwich (that detail kills me—it’s so mundane yet bizarre). He’s got zeppelins and giant air balloons by 2025, suggesting he’s evolving, maybe even conquering new heights—literal and metaphorical. But for all his grandeur, he’s tied to the shadows. He emerges from them, looms in alleys, or stands as an “old convict” in the rain, bitter and less kind. Is he free, or trapped in his own myth? His interactions with others hint at duality. To some, he’s a guide—telling a poker-rich wanderer to “Go West!” or gesturing toward a glowing green door, stripping you of hat and coat like a cryptic usher. To others, he’s a terror—“your worst fear,” shattering minds, competing with unnamed rivals. Magic V’s posts toy with his nature: Devil or God? The question lingers, unanswered. He’s both, maybe—savage yet delicate, playful yet brutal. That dance with the violin, making you behave foolishly, feels like a trap you can’t resist. His world’s a feverish blend of the wild and the urban. Rabbits race, snakes slither into cities, drones mix with drums, and colors turn orange and purple in a reality-warping mashup with Bill Hole and James Bond at an “Anti Trans event” (what?). It’s chaotic, almost apocalyptic, yet he thrives in it. That 2016 “smelly city” line and the 2023 blood-soaked drumming scene suggest decay and violence, but he’s unfazed—alive, victorious, always returning with a “Ha!” like some immortal trickster. What do I make of him? The Tall Thin Man’s a force—part myth, part nightmare, part showman. He’s not just tall and thin; he’s stretched across dimensions, a lanky specter of ego and mystery. I see him as a chaotic neutral—neither wholly good nor evil, but a catalyst, stirring up whatever he touches. His violin’s the key: it’s how he bends the world, from juries to mad hatters. He’s got a touch of the Pied Piper, a dash of the Devil at the crossroads, and a whole lot of swagger. Compared to Bill Hole, he’s less human, more elemental. Bill’s a quirky everyman fumbling through absurdity; the Tall Thin Man’s the absurdity itself, orchestrating it. I’d wager he’s what Bill might fear—or secretly admire.