Women were expected to be born more, but population maps would say otherwise. Perhaps the girls didn't make it far compared to the boys.

Speculation is that these boys were going to be hell on wheels.

The point is a gene mutation is no laughing matter and children were not being studied for defects.

Journals and books warned us, few knew. Something very weird was happening in parts of the world as if a mad scientist had gotten into the DNA close. Perhaps it was the fault of radiation. Fighting was going to TV and guts and glory was mostly gory.

In 2013 I called this age the end of time. Not to be mistaken for end times. Features the depraved for the first time in history. (Not the wretched, but similar) Cause: Mutation.

Where else would you rather be, than with me, famous as an interest of the famous. They say I'm not dorky, or porky the pig, I eat my grits and break all glass ceilings. I always do impossible things, but no to wedding rings, unless I can have total power over middle earth, grow big ears and become an elf.

Control freaks are still freaks who lack self control!

Since we are connected to the entire universe we are blessed a buffet of infinite food and culinary choices.

Get creative with freezing temperatures!

The war just turned into musical!

Norway has northern cold grit.

gerta thornberg norway

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.