Why do people feel lonely?

If you want your heart broken do it by caring for people.

We can all forgive ourselves now for the various soft or even hard crimes we have committed or we can slowly all hang by nooses. The world had no obligation to be anything like paradise, plus if the animals don't eat us we will. Some will simply give up body organs or give it up for the fame machine. They can accuse you and back and forth..play ping pong instead or roll around in bed. Of course crazy can happen as a matter of horse!

Perhaps I can help improve certainty in the US without getting too negative. And yes massive inequality and abuse of power need not be discussed.

So likable and in another universe!

?!

It seems that the lure of the American City is finished.

Any ambition that leads to causing harm, suffering, or murder is not ambition, but obviously the work of a criminal.

Life is always on yellow alert as a basis for reality.

I believe strongly in freedom of speech, but in today's world people need a deep education on what that means. People need to learn a bit about journalism and civics.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.