Another question is how can there be so much internal strife on the Russian side when not to long ago things people were ready to fight and support the war effort. In two months this has been surprising to watch.

It looks like the current fighting over tactical towns/areas like Balkmut are being won by Ukrain and how the f are they doing that after holding out for a month?

I am no war expert, but my opinion is that Russia is faking it is doing better than it is by a huge stretch. They are now fighting against impossible odds. Why does this continue???

The ship of fools came to shore and would not, says your precious is gone for desperation, tips the toppling ship, and rope is yarn, a tug at the heart, Jesus Christ in stained glass art, bust the rooms, break the cosmic clock, and drive the savages out.

Born for a wide great world!

I get to live.

Wins!

Karma is a dog from hell.

Strike a match of new love.

Hey Mars to give extra power to Ukraine. A symbol of the God of War (who can't lose in battle!) Great offensive capability to wreak havoc, explosions, ect..

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.